{"version":"1.0","provider_name":"Okultura: Eseje o magick\u00fdch aspektech modern\u00edch d\u011bjin a soudob\u00e9ho um\u011bn\u00ed","provider_url":"https:\/\/www.okultura.cz\/WordPress","title":"Arcadia Borealis - Okultura: Eseje o magick\u00fdch aspektech modern\u00edch d\u011bjin a soudob\u00e9ho um\u011bn\u00ed","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"AM6IkHgwrA\"><a href=\"https:\/\/www.okultura.cz\/WordPress\/erik-w%c3%b8llo-bernard-wostheinrich-arcadia-borealis-cd\/\">Arcadia Borealis<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.okultura.cz\/WordPress\/erik-w%c3%b8llo-bernard-wostheinrich-arcadia-borealis-cd\/embed\/#?secret=AM6IkHgwrA\" width=\"600\" height=\"338\" title=\"&#8222;Arcadia Borealis&#8220; &#8212; Okultura: Eseje o magick\u00fdch aspektech modern\u00edch d\u011bjin a soudob\u00e9ho um\u011bn\u00ed\" data-secret=\"AM6IkHgwrA\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.okultura.cz\/WordPress\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.okultura.cz\/WordPress\/wp-content\/uploads\/a2996991549_10.jpg","thumbnail_width":1200,"thumbnail_height":1200,"description":"DiN v\u017edy nab\u00edzel p\u0159\u00edle\u017eitost r\u016fzn\u00fdm um\u011blc\u016fm vytv\u00e1\u0159et zaj\u00edmav\u00e1 a ne\u010dekan\u00e1 spojen\u00ed. Bernhard W\u00f6stheinrich jist\u011b podporoval tento \u00e9tos sv\u00fdmi \u010dty\u0159mi po\u010diny u DiN, a to Blast (DiN6) s Markusem Reuterem jako\u017eto Centrozoon, Pr\u00e4position (DiN13) jako polovice Subsonic Experience, Moir\u00e9 (DiN18) s \u0161\u00e9fem labelu Ianem Boddym a zcela ned\u00e1vno na Conundrum (DiN27) s Klausem Hoffmannem-Hoockem. Na Arcadia Borealis se Bernhard dal dohromady s norsk\u00fdm ambientn\u00edm um\u011blcem Erikem Wollo. T\u0159eba\u017ee jde o Erikovu prvn\u00ed \u00fa\u010dast u DiN, je dob\u0159e zn\u00e1m po cel\u00e9m sv\u011bt\u011b mnoh\u00fdmi vyhl\u00e1\u0161en\u00fdmi alby na takov\u00fdch labelech jako Spotted Peccary a spolupracoval u\u017e t\u0159eba i se Steve Roachem. Z\u00e1kladn\u00edm motivem hudby na Arcadia Borealis byl pohled zp\u011bt do 18. stolet\u00ed, kdy pol\u00e1rn\u00ed v\u00fdzkumn\u00edci dorazili do Arktidy a byli ve sv\u00e9 dob\u011b n\u011bco jako astronauti projektu Apollo. Odv\u00e1\u017eili se do nezn\u00e1ma, ani\u017e m\u011bli jistotu, \u017ee se vr\u00e1t\u00ed dom\u016f. Byla to doba rom\u00e1n\u016f Julesa Vernea a H. G. Wellse, kte\u0159\u00ed snili o v\u011bdeck\u00e9m pokroku. Album tedy pozve poslucha\u010de na cestu do nov\u00fdch a neprozkouman\u00fdch kon\u010din a neodhadnuteln\u00e9ho po\u010das\u00ed, kter\u00e9 dob\u0159e zn\u00e1 i Wollo ve sv\u00e9 domovsk\u00e9 zemi Norsku. 12 skladeb postihuje r\u016fznou atmosf\u00e9ru protkanou zvuky p\u0159\u00edrodn\u00edho prost\u0159ed\u00ed, kde W\u00f6stheinrich vytv\u00e1\u0159\u00ed sv\u00e9 charakteristick\u00e9, organicky se vyv\u00edjej\u00edc\u00ed rytmy. Wollo se proslavil melodick\u00fdmi prvky, z nich\u017e sp\u0159\u00e1d\u00e1 p\u0159ekr\u00e1sn\u00e9 omamn\u00e9 melodie. P\u0159ipomenou norsk\u00e9 Biosphere a ka\u017ed\u00e1 skladba dozajista vykresl\u00ed zvukov\u00fd portr\u00e9t, kter\u00fd poslucha\u010de zcela pohlt\u00ed."}