{"version":"1.0","provider_name":"Okultura: Eseje o magick\u00fdch aspektech modern\u00edch d\u011bjin a soudob\u00e9ho um\u011bn\u00ed","provider_url":"https:\/\/www.okultura.cz\/WordPress","title":"Dva dervi\u0161i - Okultura: Eseje o magick\u00fdch aspektech modern\u00edch d\u011bjin a soudob\u00e9ho um\u011bn\u00ed","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"DuLBs0PI4w\"><a href=\"https:\/\/www.okultura.cz\/WordPress\/markus-reuter-ian-boddy-dervish-cd\/\">Dva dervi\u0161i<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.okultura.cz\/WordPress\/markus-reuter-ian-boddy-dervish-cd\/embed\/#?secret=DuLBs0PI4w\" width=\"600\" height=\"338\" title=\"&#8222;Dva dervi\u0161i&#8220; &#8212; Okultura: Eseje o magick\u00fdch aspektech modern\u00edch d\u011bjin a soudob\u00e9ho um\u011bn\u00ed\" data-secret=\"DuLBs0PI4w\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.okultura.cz\/WordPress\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.okultura.cz\/WordPress\/wp-content\/uploads\/a1325060745_10.jpg","thumbnail_width":1200,"thumbnail_height":1200,"description":"Markus Reuter je \u010dlenem eklektick\u00e9ho Europa String Choir. Hraje na osmistrunnou kytaru Reuter, l\u00e1me a svazuje t\u00f3ny spolu s Ianem Boddym do sublimn\u00ed atmosf\u00e9ry. Naposledy jste je mohli sly\u0161et spolu na albu Distant Rituals, kter\u00e9 vy\u0161lo u\u017e v roce 1999. N\u00e1sledovala alba jako Pure (2003), melodicky komplexn\u00ed, a Dervish je jejich doposud nejplodn\u011bj\u0161\u00ed studiov\u00e1 spolupr\u00e1ce. Nahr\u00e1v\u00e1no v Anglii a Rakousku. Na albu se objevuje jako host buben\u00edk a elektronick\u00fd \u010darod\u011bj z King Crimson, Pat Mastelotto. Inspirov\u00e1no \u010d\u00e1te\u010dn\u011b hudebn\u00ed teori\u00ed skladatele 20. stolet\u00ed, Oliviera Messiaena. V\u00fdsledkem jest zrcadlov\u00fd obraz odst\u00edn\u016f a barev, u nich\u017e je nemo\u017en\u00e9 ur\u010dit, kdo je pr\u00e1v\u011b hraje. Jde o poctu Messiaenovi, jeho\u017e slavn\u00e9 t\u00f3ny jsou vetknuty do symfonie Turangalia. Silov\u00e1 dynamika na t\u00e9to nahr\u00e1vce byla dosa\u017eena in\u017een\u00fdrem Clemensem Schleiwiesem, kter\u00fd p\u0159epsal digit\u00e1ln\u00ed nahr\u00e1vky zp\u011bt na analogovou p\u00e1sku. Ty byly pak prohn\u00e1ny p\u0159es \u0161pi\u010dkov\u00fd zvuka\u0159sk\u00fd st\u016fl, kter\u00fd pou\u017e\u00edval i David Bowie a Brian Eno pro sv\u00e9 legend\u00e1rn\u00ed v\u00fdlety v Hansa Studios, Berl\u00edn."}